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Friday 27 July 2012

Jon Richardson and OCD

Just some thoughts on Jon Richardson's excellent Channel Four programme on Obsessive Compulsive Disorder this week. Jon did a great job investigating the problem of OCD; coming at it from the perspective of someone living with mild obsessions and compulsions himself. Diagnostic tests towards the end of the documentary suggested his difficulties were not sufficiently severe or distressing to attract a clinical diagnosis of OCD. But his experience of what he called 'quirks' gave him a great deal of empathy for those who did live with the disorder in its severe and debiliating forms.

Jon interviewed three individuals living with the disorder and it was distressing to see the torment these individuals were experiencing. First of all Jon met a young man, aged fifteen, whose life was becoming increasingly populated with obsessions and compulsions, expressing themselves as rituals about where and how he placed his feet and how many times he touched things. He perfectly expressed the bind at the heart of his OCD: 'If I don't perform the rituals then I experience distress that leads to more rituals and more OCD'.

Another person living with OCD was unable to let Jon into her home. Her OCD showed itself as a fear of contamination and to ward off the fear of inhaling dust and being 'permanently contaminated' she cleaned and cleaned. One of her rooms was sealed and dust free. Her partner was on the point of leaving, unable to cope with her relentless pursuit of safety through cleanliness.

A third visit was to a women who lived with OCD, ordering her life to prevent dirt and dust entering her home. When she or her husband entered the house they each showered and changed their clothes. This preserved the inside of the house from contaminants and allowed her some peace of mind. Further tragedy was revealed when she began to tell the story of her son. A truly gifted engineering student so tormented by obsessions and compulsions that he poisoned himself to death by blending twigs and leaves from a Yew tree and drinking the result. It was a sobering thing to see obsessive compulsive disorder on the death certificate. Sad to see the grief as she carefully removed her son's suicide note and other documents from its dust free folder. She regarded OCD as a blight on the family.

There is evidence of OCD being inherited, with early onset at age seven and late onset in the early twenties. Jon talked about his perfectionism, and his mother commented on the delight Jon experienced when book shelves were orderly. Perfectionism certainly seems a character trait associated with OCD. But Jon and the people he visited sometimes linked OCD with stressful, even traumatic experiences.

So it seems some individuals are susceptible to OCD. Risk factors including genetics, personality traits, and environmental factors, such as whether or not other family members have OCD. Then there are triggers - stress and distress. OCD's positive intention is to manage the resulting anxiety, setting in train a self-maintaining system of obsessions and compulsions with the potential to take over an individual's whole life and being.

Jon Richardson's programme left one feeling a bit hopeless. Each visit ended with Jon more aware of how debilitating the disorder can be. The hospital he visited used medication and exposure and response prevention to treat very severe cases with an 80% recovery rate. That was more hopeful; another programme showing how people recover from OCD would be most welcome.

Tuesday 17 July 2012

Thank You Lenny!

Every now and again I need a break, even from the things about which I'm passionate. So last week I stopped reading about psychotherapy and mental health and took 'time out' to read Humphrey Burton's biography of the American composer, concert pianist and conductor, Leonard Bernstein. What a great man! What a great life! Wikipedia provides a summary of Bernstein's achievements here and you can see and hear him conducting some of the symphonies of Mahler at my Scoop.it page here

Burton's biography is a fairly satisfying read that catalogues Bernstein's conducting and composing; his  friendships and sexual relationships, with men and women; his political activities, fund raising, teaching and broadcasting. Bernstein was so talented that he risked dissipating his powers on numerous different  projects. His mentors, including the composer Aaron Copland and the conductor Dimitri Mitropoulos, pushed him towards conducting and indeed he was a fabulous conductor, one of the greats. His interpretations of Mahler are wonderful, possibly because he identified so closely with the man, another conductor/composer. But at the end of his life Bernstein wished he had spent more time composing. Bernstein's works include several Broadway hits, including West Side Story; a couple of operas, three symphonies and, a favourite of mine, the delightful operetta, Candide.

Bernstein's father reluctantly paid for Lenny's piano lessons and reluctantly paid also for Lenny to study music at Harvard. When quizzed about this later in life he would say, "How did I know my son was going to become Leonard Bernstein?" Leonard Bernstein was a handsome young man and had numerous relationships with men and women before eventually marrying the Chilean actress Felicia Cohn Montealegre. In 1976 and feeling he could no longer suppress his sexuality Bernstein left his wife and committed himself to a gay relationship. He was returning to his marriage when Felicia was diagnosed with cancer, she died in 1978. When she died Bernstein was heartbroken and never recovered from his loss. He was, however, able to live more openly as a gay man. He enjoyed the company of young men, surrounding himself with young students and musicians in thrall to the maestro.

Burton suggests that Bernstein became more rebellious, maybe even coarse after his wife's death. It did his reputation no harm and may have added to the Bernstein mythology. Bernstein was a compulsive smoker - at rehearsals he would on occasion conduct the orchestra with a cigarette! It killed him in the end, in 1990, aged 72. I was saddened then overwhelmed by emotion as I turned the page and saw the picture there of Bernstein on a New York street waving at the camera, a smile on his handsome face. A complex man who left behind so much wonderful music. Thank you Lenny!